謝 奉珍 Hsieh, Feng-Chen
以聲音為主要創作媒材的藝術家。透過日常的聲音採集,組合成不同的聲音片段,大部分的聲音裝置作品為現地製作,依據現場的氣氛、觀眾互動運用聲音的表現回應,目前關注人-人-環境-時空間的相互牽連變化,與國內外不同的表演者進行合作交流。
2012年開始發表〈空間刺探機〉系列聲音裝置作品創作計畫,以不同的展覽空間特性為聲音創作的概念。
dieananas.weebly.com
Most of her works were shown by sound. In 1987, she was born in Kaohsiung, Taiwan. She received a bachelor degree in "Department of Fine Art" from National Kaohsiung Normal University in 2009 and further received a MFA degree in " Graduate Institute of Plastic Arts " from Tainan National University of The Arts in 2014. She participated in live performances, sound installations, the relationship of experiment between sound and image and field recordings. Now she is concerned about the inter-relationship between person-person-envirernment-space and time. Most of her sound installations are regarded about site-specific. From 2012 she begun to create a series sound installation project "Space Prying Machine", her work concept is using sound characteristics of different exhibition space. During her live performance, she uses field recordings gathered from everyday lives to form various sound sections, and performs based on the atmosphere of the live events. She often tries to interact with audience members, and often works with other performers from Taiwan and foreign.
以聲音為主要創作媒材的藝術家。透過日常的聲音採集,組合成不同的聲音片段,大部分的聲音裝置作品為現地製作,依據現場的氣氛、觀眾互動運用聲音的表現回應,目前關注人-人-環境-時空間的相互牽連變化,與國內外不同的表演者進行合作交流。
2012年開始發表〈空間刺探機〉系列聲音裝置作品創作計畫,以不同的展覽空間特性為聲音創作的概念。
dieananas.weebly.com
Most of her works were shown by sound. In 1987, she was born in Kaohsiung, Taiwan. She received a bachelor degree in "Department of Fine Art" from National Kaohsiung Normal University in 2009 and further received a MFA degree in " Graduate Institute of Plastic Arts " from Tainan National University of The Arts in 2014. She participated in live performances, sound installations, the relationship of experiment between sound and image and field recordings. Now she is concerned about the inter-relationship between person-person-envirernment-space and time. Most of her sound installations are regarded about site-specific. From 2012 she begun to create a series sound installation project "Space Prying Machine", her work concept is using sound characteristics of different exhibition space. During her live performance, she uses field recordings gathered from everyday lives to form various sound sections, and performs based on the atmosphere of the live events. She often tries to interact with audience members, and often works with other performers from Taiwan and foreign.