Ignaz Schick
唱盤樂手,聲音藝術家,表演者,作曲家和視覺藝術家。
樂器:薩克斯風,電子音樂,長笛,打擊樂器,現成物。
Ignaz 年輕時就開始學習學習薩克斯風,並在自由爵士和前衛搖滾樂隊中表演。 與此同時,他開始沉迷於多軌錄音機、黑膠唱盤和效果器,並開始嘗試使用許多不同的樂器和聲音的設備。他自1995年就在柏林生活和工作,並漸漸在那成為當時所謂的「柏林新浪潮」和蓬勃發展的實驗音樂圈裡,積極、不可或缺的一股力量。 作為策展人,透過經營著實驗音樂品牌Zarek,始終維持在相當多產的狀態。
不論是他的實驗音樂或表演實踐,他都一直不斷地在嘗試製作聲音裝置、實驗物件、視覺拼貼、文本樂譜、具象詩歌,圖形樂譜和繪畫。自2012年以來,他便專注於觀念性作曲和實驗廣播曲的創作方式。
http://www.zangimusic.wordpress.com
http://www.soundcloud.com/ignazschick
http://www.myspace.com/ignazschick
(翻譯 by聽說工作室)
Turntablist, sound artist, performer, composer, and visual artist. Instruments: saxophone, live-electronics, flutes, percussion, found objects.
In his youth, he studied the saxophone and performed in free jazz and avant rock bands. At the same time, he was getting obsessed with multitrack tape machines, record players and effect boxes and he started experimenting with many different instruments and sound making devices.
Since 1995 he lives & works in Berlin where he became an active and integral force of the so-called "Berlin Nouvelle Vague" and the blossoming "experimental" music scene. He has been also prolific as curator and runs the experimental music label, Zarek.
In parallel to his experimental music and performance practice he has been making sound installations, experimental objects, visual collages, text scores, concrete poetry, graphic scores, and drawings. Since 2012 he focusses on conceptual composition and experimental radio pieces.
唱盤樂手,聲音藝術家,表演者,作曲家和視覺藝術家。
樂器:薩克斯風,電子音樂,長笛,打擊樂器,現成物。
Ignaz 年輕時就開始學習學習薩克斯風,並在自由爵士和前衛搖滾樂隊中表演。 與此同時,他開始沉迷於多軌錄音機、黑膠唱盤和效果器,並開始嘗試使用許多不同的樂器和聲音的設備。他自1995年就在柏林生活和工作,並漸漸在那成為當時所謂的「柏林新浪潮」和蓬勃發展的實驗音樂圈裡,積極、不可或缺的一股力量。 作為策展人,透過經營著實驗音樂品牌Zarek,始終維持在相當多產的狀態。
不論是他的實驗音樂或表演實踐,他都一直不斷地在嘗試製作聲音裝置、實驗物件、視覺拼貼、文本樂譜、具象詩歌,圖形樂譜和繪畫。自2012年以來,他便專注於觀念性作曲和實驗廣播曲的創作方式。
http://www.zangimusic.wordpress.com
http://www.soundcloud.com/ignazschick
http://www.myspace.com/ignazschick
(翻譯 by聽說工作室)
Turntablist, sound artist, performer, composer, and visual artist. Instruments: saxophone, live-electronics, flutes, percussion, found objects.
In his youth, he studied the saxophone and performed in free jazz and avant rock bands. At the same time, he was getting obsessed with multitrack tape machines, record players and effect boxes and he started experimenting with many different instruments and sound making devices.
Since 1995 he lives & works in Berlin where he became an active and integral force of the so-called "Berlin Nouvelle Vague" and the blossoming "experimental" music scene. He has been also prolific as curator and runs the experimental music label, Zarek.
In parallel to his experimental music and performance practice he has been making sound installations, experimental objects, visual collages, text scores, concrete poetry, graphic scores, and drawings. Since 2012 he focusses on conceptual composition and experimental radio pieces.