Jyun-Ao Caesar
Jyun-Ao Caesar的音樂靈感來自Eric Cordier與大友良英,或許可以簡略地總結成一種「姚大鈞泛具象音樂論」的創作實踐。他在訊號處理、類比放大與田野錄音的經驗以及他對時空的知識,直接或間接地導致了他的演奏方式。近幾年來尋找著適合與他的吉他互動的機材,這些器材允許他即時地控制變化的參數並佈局聲音的幻象位置,並透過這樣的方式掌握著自己的演奏,在確定性與即興之間取得適當的平衡。
https://www.youtube.com/playlist…
https://www.youtube.com/playlist…
Jyun-Ao Caesar’s music borrows from both Eric Cordier and Otomo Yoshihide and can be described as an approach toward the composition of Pan-Musique Concrète as proposed by Dajuin Yau. His experience with signal processing, analog amplification, and field recording, as well as his knowledge of space and time led to his adoption of the instrument.He is also a member of Saint Sloth Machine with the impro-percussionist Lala Reich, guitarist Pillof Yau and bassist Weiting Huang. His compositions for the group aim to represent a certain contemplation of humanism and modernity in a non-realist way.
Jyun-Ao Caesar的音樂靈感來自Eric Cordier與大友良英,或許可以簡略地總結成一種「姚大鈞泛具象音樂論」的創作實踐。他在訊號處理、類比放大與田野錄音的經驗以及他對時空的知識,直接或間接地導致了他的演奏方式。近幾年來尋找著適合與他的吉他互動的機材,這些器材允許他即時地控制變化的參數並佈局聲音的幻象位置,並透過這樣的方式掌握著自己的演奏,在確定性與即興之間取得適當的平衡。
https://www.youtube.com/playlist…
https://www.youtube.com/playlist…
Jyun-Ao Caesar’s music borrows from both Eric Cordier and Otomo Yoshihide and can be described as an approach toward the composition of Pan-Musique Concrète as proposed by Dajuin Yau. His experience with signal processing, analog amplification, and field recording, as well as his knowledge of space and time led to his adoption of the instrument.He is also a member of Saint Sloth Machine with the impro-percussionist Lala Reich, guitarist Pillof Yau and bassist Weiting Huang. His compositions for the group aim to represent a certain contemplation of humanism and modernity in a non-realist way.